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The train stopped. Never before had Petunia been so glad to see
the familiar lights of her station. She got to her feet and followed
three grim businesswomen to the door. "Hey!" She turned. The fat
man was waving to her. "Be careful out there, lady." She smiled
wanly and stepped off the train, the Bloomingdale's bag heavy over
her right forearm. The doors closed behind her and the train rumbled
out of the station. She looked back over her shoulder and watched
the man's fat face blur and slide into the tunnel. With a small
sigh, she followed the stream of people up the stairs and toward
the street above.
The lights were off in her apartment, but the last of the afternoon
sun was trickling in through the living room window. Petunia set
the punch bowl on the kitchen table and checked her answering machine.
She had three messages. The first was from Henry Carpenter, a fellow
writer whom she'd met occasionally at readings, inviting her to
dinner. No, she thought, remembering Henry's insipid smile and the
ugly yellow tie he'd been wearing the last time she had seen him.
Then again, maybe, depending on the quality of the restaurant he
had in mind. She jotted down his number. The next message was a
dial tone. The third was Leila, apologizing for having to cancel
their semi-regular coffee date scheduled for tomorrow; she had to
meet someone who was very interested in one of her works, remember,
the one with the blue wire and ceramic tiles? He was flying out
of New York soon, and this really could be a once in a lifetime
sale. She didn't want to tell Petunia who the buyer was, not yet,
not until the deal was done. He was very influential in some very
major art circles, though, and as she said, he was very interested
in her work. She'd call later.
Petunia erased her messages and wandered into the living room.
She looked out over the street, the sidewalks bronzing in the sunset.
The city struck her suddenly as being a very alien place, and she
laughed at herself for being forty-two and homesick for a nondescript
town in the middle of New Hampshire. "Grow up, Petunia," she said
aloud. Then she laughed again at how silly her command had sounded;
ordering someone with a name like Petunia to do anything inevitably
sounded silly. Although there were usually some hidden smiles when
she introduced herself to strangers, Petunia had never minded her
name. She, Petunia, was the daughter of Rose, niece of Jasmine and
Daisy, grand-daughter of Hyacinth. She was part of a long floral
tradition that extended, like a vine, through generation upon generation
of her mother's family. And what was the result? She, Petunia, the
freshest bud of them all, was sitting pretty in her sixth-floor
window box while twenty-year-old revolutionaries roamed the streets.
Shouldn't she be doing something to get them off the streets? Or
should she be doing something to get more people to join them? Hadn't
she always told herself she would change the world someday, stand
it on its head with admiration? She had, once, when she was young
and foolish and lying alone in bed thinking big thoughts. There
had been a day when she had idly scribbled out a speech thanking
an invisible crowd for the Pulitzer Prize recently bestowed upon
her - she was modest, but grateful, and devastatingly articulate
despite all the flashbulbs exploding in her face. What, exactly,
had happened since that day? She still had ambition. She still had
desires. What was it she did not have, and was it just as well it
was gone?
Questioning life and the meaning thereof always gave Petunia a
headache. She closed the curtains and went back into the kitchen,
where she began boiling water for tea. She padded into the oversized
closet that served as her office. There had to be wrapping paper
somewhere. Her desk drawers yielded none, but eventually she found
a package of multicolored tissue paper tucked away in her filing
cabinet. She went back to the kitchen and removed the shrieking
kettle from the burner. The saleswoman had left the price tag on
top of the box, so Petunia scraped at it with her fingernail until
it peeled off in a sticky ball. She piled sheets of tissue on the
table: pink, then yellow, then green, then pale blue. She centered
the box on top of the pile and began to fold the colored sheets
over and over, until the present was well-hidden under the layers.
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Author Profile: Mary Phillips-Sandy is a PopPulse editor.
She's also the Assistant Director of the Maine International Film
Festival.
E-mail: mary@poppulse.com
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